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Venues include Corn Exchange,
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What to expect upon arriving at Brighton Dome on Friday night (18/05) was as much a mystery to me as to many in attendance. Prior to leaving the foyer and heading into the auditorium to catch our first glimpse of the Heritage Orchestra, there seemed a greater than usual expectant buzz. |
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On Thursday night at the Pavilion Theatre (17/05), journalist Paul Morley mused on the question of whether we are all living in a post-pop/rock vacuum, forever to exist inside an endless void of cultural repetition .. or some such bollocks. The rest of us interpreted his musings as suggesting that pop/rock is dead and nothing groundbreaking or unique is now possible. |
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Brighton-based Al Scott is a producer of much renown following his work with, among others, Oysterband, Levellers, Asian Dub Foundation and Monty Python, and when Warner Brothers came-a-calling, at the turn of the millennium, and asked him to work on an album project with Eliza Carthy, it must have seemed like a match made in musical heaven. |
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It really should be ridiculous, but it isn't. Somehow concocting a seemingly obnoxious stew that includes such tasty ingredients as incest, violence, mutilation, and nudity - at Theatre Royal Brighton, no less - all comes together in the mix to serve up one of the tastiest treats of Brighton Festival. |
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